At whose door the worship being performed seems glorious?
IV.
At whose door is the mą̄dar sounding and, sounding, seems glorious?
3De Klerk has placed a question mark after ‘manar pūjā’ in the note ('51: 138) on the worship of the drum, not realising that this worship is referred to as mą̄dar-pūjā. Concerning the relationship of the drum with the mother goddess see p. 36.