The following are the stages of the arrival and welcome as occasions for singing:
1. The arrival of the barāt, and waiting to be received by the bride's guardians and other relatives.
2. The bride's male relatives and guardians go out of the māṛo and receive the guests: this is known as agavānī.
3. Dvāra-pūjā, welcoming the guests in a worshipful manner, and then (gale milanā) embracing.
4. Parchan (S. prārcana) of the bridegroom done by the ladies after the barāt has been led into the māṛo.
5. Giving a light refreshment to the bridegroom, consisting of sweetened water etc. The bridegroom's bahanöī (sister's husband) or some other relative keeps a close watch to detect any tricks of mixing some magically ‘medicated’ stuffs which might be given to the bridegroom to bring him under the power of his would-be bride or to weaken him in some other way. Because of the auspicious nature of this refreshment it is referred to as sagunī.
The songs for these stages have been recorded but only for (2) and (4) are printed here.