- I am going (with the intention) to swing on a swing in father Nanda's garden;1 I am swinging on the swing and the snake bites (with its) fang.
Rādhājī's finger...
III.
The snake bit in the finger with the fang; She fell on the ground with a dizziness;
IV.
Rādhā so fell on the ground that (she has) no consciousness of (the state of her) body.
Rādhājī's finger...
V.
One sakhī examines a vein, another fans the breeze;
VI.
The third sakhī filled and fetched some water, (and) the fourth goes to the house of a physician.
Rādhājī's finger...
VII.
- In the home of big Nanda there is a great expert, call him alone as a physician;
VIII.
The physician came and stood in the courtyard, (and Rādhā) smiles inside the veil.
Rādhājī's finger...
IX.
(Says) Sūradāsa (regarding) Kṛṣṇa, there is great hope of (finding refuge at his) feet (by) meditating on the feet of Hari.
X.
If Kṛṣṇa is met (only) then Rādhā would survive; (if) not, (then) her body (would) give up the breath.
2In the song Rādhā plays a trick to meet Kṛṣṇa whom she is, probably, forbidden to meet. She pretends that she has been bitten by a snake. One of her friends helps her by suggesting that there is a good physician in Nanda's home; who else but Kṛṣṇa? He arrives disguised as a physician and saves Rādhā's life, who would die if she did not see her lover.
3In the classical myths, Kṛṣṇa danced on the head of the Kāliya and subdued him.
1Nanda's garden is purely metaphorical here; she could not have been swinging in Nanda's garden, see lines VII and VIII.