[p. xxi]
Table of illustrations.
| Plate I. | At the Central Market-place, Paramaribo | Frontispiece Facing page |
| Plate II. | A Koto-mɩsi | 4 |
| Plate III. | Koto-mɩsi; the famiri | 5 |
| Plate IV. | A market-scene in Paramaribo | 12 |
| Plate V. | Negro and Hindu women in the Market | 13 |
| Plate VI. | Head-kerchief, front view | 16 |
| Plate VII. | Name of pattern; Maka sneki; name of tying; Boto hɛdɛ | 17 |
| Plate VIII. | Name of pattern: Yu ką loi̯ yu dyįdyį lei̯ki fa yu wąʾ, mi no dɛ yɛre yu; name of tying: Yu ką wai̯ yu wɩnti lɔntu foto, ma mi no sa drai̯ baka | 26 |
| Plate IX. | Name of pattern: Doti wagi dɛ tyari doti, ma a no dɛ tyari syɛm (Proverb No. 89); name of tying: Trɔbi | 27 |
| Plate X. | Name of pattern: Sui̯ti fō mi smeri, meki mi gudu lasi ɛ̨ŋ hoso pasi (Proverb No. 97); name of tying: Motyo-'ɛdɛ | 34 |
| Plate XI. | Advertisement for a new style of kerchief | 35 |
| Plate XII. | A compound yard | 48 |
| Plate XIII. | Another view inside the compound yard shown in Plate XII | 49 |
| Plate XIV. | Men from Town and Bush | 82 |
| Plate XV. | Writing produced under a state of possession by Wɩnti; normal handwriting of the same individual | 83 |
| Plate XVI. | The Wɩnti drums | 90 |
| Plate XVII. | A compound with benches arranged for a wɩnti dance | 96 |
| Plate XVIII. | Within a compound; children at the entrance to a house | 97 |
| Plate XIX. | Left to right: Bush-Negro (Saramacca) Apinti drum, Haitian Voodoo-cult drum, Bush-Negro (Djuka) Apinti drum | 492 |
| Plate XX. | Town-Negro Apinti drum | 500 |
| Plate XXI. | Town-Negro Podya drum | 501 |
| Plate XXII. | Town-Negro Mąn-drɔ̨ | 510 |
| Plate XXIII. | Town-Negro Agida and Ląŋga-drɔ̨ | 511 |
| Plate XXIV. | Town-Negro Agida drum | 514 |
| Plate XXV. | A Bush-Negro Agida drum | 515 |
| Plate XXVI. | A Bush-Negro Tumao drum (Hamburg Museum No. 30.51:76) | 522 |
| Plate XXVII. | Detail of attachment of drum-head, Bush-Negro Tumao drum | 523 |
