[p. 269]
bibliographical references
Members of De Stijl
| G. Antheil |
| H. Arp |
| H. Ball |
| I.K. Bonset (Theo van Doesburg) |
| C. Brancusi |
| A. Camini (Theo van Doesburg) |
| Th. van Doesburg |
| C. Domela |
| C. van Eesteren |
| W. Graeff |
| R. van 't Hoff |
| V. Huszar |
| F. Kiesler |
| A. Kok |
| B. van der Leck |
| El Lissitzky |
| P. Mondriaan |
| J.J.P. Oud |
| H. Richter |
| G. Rietveld |
| T. Schröder-Schräder |
| G. Severini |
| G. Vantongerloo |
| F. Vordemberge-Gildewart |
| J. Wils |
For articles and information, see
| De Stijl, Internationaal Maandblnd voor nieuwe kunst, wetenschap en kultuur. Red. Theo van Doesburg, 1917-1931 |
| De Stijl, cat. No. 81, Stedelijk Museum, Amsterdam 1951 |
| Bruno Zevi, Poetica dell' Archittetura Neoplastica, Milano 1953 |
[p. 270]
De Stijl
Books:
| P. Fierens, L'Art Hollandais Contemporain, Paris 1933, p. 17-19 |
| S. Giedion, Space, Time and'Architecture, the growth of a new tradition, Cambridge, Mass. 1941, 2nd. ed. 1952, p. 348, 360, 372, 373, 420, 453, 604 |
| J.J. Vriend, De Bouwkunst van ons Land, Amsterdam 1942, p. 186-188, 202 |
| G. Kepes, Language of Vision, Chicago 1944, 2nd. ed. 1951, p. 122 |
| Ch. Biederman, Art as the evolution of visual knowledge, Red Wing, Minneapolis 1948 |
| S. Giedion, Mechanization takes command, New York 1948, 2nd. ed. 1955, p. 485 |
| M. Raynal, a.o., De Picasso au Surréalisme, Histoire de la Peinture Moderne, GenèveParis 1950, p. 10, 106, 111, 116, 150 |
| W. Haftmann, Malerei im 20. Jahrhundert, München 1954, 1955 |
| A.H. Barr, Masters of Modern Art, Museum of Modern Art, New York 1954, p. 217 |
| C. Giedion-Welcker, Plastik des XX. Jahrhunderts, Stuttgart 1955, XVI, 144, 148 |
| H. Sedlmayr, Die Revolution der modernen Kunst, Hamburg 1955, p. 129 |
| L. Zahn, Kleine Geschichte der modernen Kunst, Berlin 1956, p. 88-93 |
Articles and catalogues
| De Stijl, Internationaal Maandblad voor Nieuwe Kunst, Wetenschap en Kultuur. Redactie: Theo van Doesburg, 1917-1931. (See separate section of De Stijl for complete index of articles by Theo van Doesburg) |
| De Stijl, Cat. No. 81, Stedelijk Museum, Amsterdam 1951 |
| De Stijl, by A.H. Barr, Bull. Mus. of Mod. Art, XX, No. 2, 1952 |
J. (Hans) Arp
| El Lissitzky und Hans Arp, Die Kunstismen, Zürich 1925, p. 18 |
| A.H. Barr, Cubism and abstract art, New York 1936 |
| A.H. Barr, Fantastic art, dada and surrealism, New York 1937 (3rd. ed. G. Hugnet) |
| L. Moholy-Nagy, Vision in Motion, Chicago 1938?, p. 126, 134, 135, 221, 293, 311, 313-315, 329, 332 |
| S. Giedion, Space, Time and Architecture, the growth of a new tradition, Cambridge, Mass. 1941, 2nd. ed. 1952, p. 350, 408, 455 |
| G. Kepes, Language of vision, Chicago 1944, p. 195 |
| A. Breton et M. Duchamp, Le surréalisme en 1947, Paris 1947 |
| H. Read, Art Now, London 1948, repr. 96-97, 104 |
| Ch. Biederman, Art as the evolution of visual knowledge, Red Wing, Minneapolis, Minnesota 1948, p. 346, 487, 500, 559, 562, repr. P. 400. |
| S. Giedion, Mechanization takes command, New York 1948, 2nd. ed. 1955, p. 508 |
| M. Raynal a.o., De Picasso au Surréalisme, Histoire de la Peinture Moderne, Genève-Paris 1950, p. 10, 11, 38, 61, 106, 111, 113, 114, 115b, 121, 150 |
| Collection of the Société Anonyme, New Haven, Conn. 1950, p. 69 |
| A. Breton, Entretiens, Paris 1952 |
| A.C. Ritchie, Sculpture of the 20th century, Museum of Modern Art, New York 1952 |
| A.H. Barr, Masters of Modern Art, Museum of Modern Art, New York 1954, p. 140 |
| W. Jos de Gruyter, Europese Schilderkunst na 1850, Den Haag-Antwerpen 1954, p. 260, 262 |
| W. Haftmann, Malerei im 20. Jahrhundert, München 1954 |
| C. Giedion-Welcker, Plastik des XX. Jahrhunderts, Stuttgart 1955 |
| H. Sedlmayr, Die Revolution der modernen Kunst, Hamburg 1955, p. 47, 129, 131, repr. 14 |
| L. Zahn, Kleine Geschichte der modernen-Kunst, Berlin 1956, p. 88, 89, 94, 107, 108, 115, 122, 130, 136, 142 |
Books by Arp:
| Neue französische Malerei, Ausgewählt von J. Arp, Leipzig 1913 |
| Die Kunstismen (Mit Lissitzky), Zürich 1925 |
| Époque Néerlandaise, Introduction by J. Arp, (See Vordemberge-Gildewart), Amsterdam 1946 |
| Magnelli, Introduction by J. Arp, Paris undated |
| On my way, Poetry and Essays 1912-1947, New York 1948 |
| 11 Peintres, vus par Arp, Zürich 1949 |
| Unsern täglichen Traum..., Erinnerungen, Dichtungen und Betrachtungen aus den Jahren 1914-1918, Zürich 1955 |
[p. 271]
Hugo Ball
| L. Moholy-Nagy, Vision in Motion, Chicago 1938? |
| Ch. Biederman, Art as the evolution of visual knowledge, Red Wing, Minneapolis, Minnesota 1948, p. 502 |
| M. Raynal, a.o., De Picasso au Surréalisme, Histoire de la Peinture Moderne, Genève-Paris 1950, p. 10, 106, 111, 113 |
| C. Giedion-Welcker, Plastik des XX. Jahrhunderts, Stuttgart 1955, p. 82 |
| H. Sedlmayr, Die Revolution der modernen Kunst, Hamburg 1955, p. 87 |
| L. Zahn, Kleine Geschichte der modernen Kunst, Berlin 1956, p. 88, 89 |
Books by Ball:
| Die Flucht aus der Zeit, Luzern 1946 |
Constantin Brancusi
| A.H. Barr, Cubism and abstract art, Museum of Modern Art, New York 1936 |
| L. Moholy-Nagy, Vision in Motion, Chicago 1938?, p. 240 |
| S. Giedion, Space, Time and Architecture, the growth of a new tradition, Cambridge, Mass. 1941, 2nd. ed. 1952, p. 408, 455, 456 |
| S. Giedion, Mechanization takes command, New York 1948, 2nd. ed. 1955, p. 394-395, 604 |
| Ch. Biederman, Art as the evolution of visual knowledge, Red Wing, Minneapolis, Minnesota 1948, p. 393, 395, 559, repr. 400, 566 |
| Collection of the Société Anonyme, New Haven, Conn. 1950, p. 112 |
| M. Raynal a.o., De Picasso au Surréalisme, Histoire de la Peinture Moderne, Genève-Paris 1950, p. 38, 89, 121, 154 |
| A.C. Ritchie, Sculpture of the 20th Century, Museum of Modern Art, New York 1952 |
| A.H. Barr, Masters of Modern Art, Museum of Modern Art, New York 1954, p. 125 |
| W. Haftmann, Malerei im 20. Jahrhunderts, München 1954 |
| H. Sedlmayr, Die Revolution der modernen Kunst, Hamburg 1955, p. 49, 131, repr. 4 |
| C. Giedion-Welcker, Plastik des XX. Jahrhunderts, Stuttgart 1955 |
| L. Zahn, Kleine Geschichte der modernen Kunst, Berlin 1956, p. 119, 136 |
Theo van Doesburg
| Fr. Markus Huebner, Die Neue Malerei in Holland, Arnhem 1921 |
| Walter Gropius, Internationale Architektur, München 1925 |
| Hans Arp & El Lissitsky, Die Kunstismen, Zürich 1925 |
| A. Behne, Der Sieg der Farbe, Berlin 1926 |
| J. Tschichold, Die neue Typographie, Berlin 1928 |
| L. Moholy-Nagy, Von Material zu Architektur, München 1929 |
| F. Kiesler, Contemporary Art, New York l930 |
| Paul Citroen, Palet, Amsterdam 1931 |
| J.B. van Loghem, Bouwen, Amsterdam 1932 |
| W.F. Gouwe, Vorm, Rotterdam 1932 |
| J.J. Sweeney, Plastic Redirections in 20th Century Painting, Chicago 1934 |
| Alfred H. Barr, Cubism and abstract art, The Museum of Modern Art, New York 1936 |
| A. Boeken, Architectuur, Amsterdam 1936 |
| S. Giedion, Space, Time and Architecture, Cambridge, Mass. 1941 |
| Sidney Janis, Abstract and Surrealist Art, New York 1944 |
| C. Giedion-Welcker, Poètes à l'Écart, Bern 1945 |
| A. Doerner, The way beyond art, Chicago 1947 |
| Henry Russell-Hitchcock, Painting toward architecture, Meriden, Conn. 1948 |
| Charles Biedermann, Art as the Evolution of Visual Knowledge, Red Wing, Minneapolis 1948 |
| Bruno Zevi, Towards an Organic Architecture, London 1948 |
| Michel Seuphor, L'Art Abstrait, Paris 1949 |
| Bruno Zevi, Storia dell' Architettura Moderna, Torino 1950 |
| Bruno Zevi, Architettura e Storiografia, Milano 1950 |
| G. Kepes, Language of Vision, Chicago 1951 (2nd. ed.) (1st ed. 1944) |
| B. Zevi, Poetica dell' Architettura Neoplastica, Milano 1953 |
| W. Haftman, Malerei im 20. Jahrhundert, München 1954 |
| A.H. Barr, Masters of Modern Art, Museum of Modern Art, New York 1954, p. 217 |
| W. Jos. de Gruyter, De Europese Schilderkunst na 1850, Den Haag 1954 |
| H. Sedlmayr, Die Revolution der modernen Kunst, Hamburg 1955, p. 129 |
[p. 272]
| C. Giedion-Welcker, Plastik des XX. Jahrhunderts, Stuttgart 1955 |
| L. Zahn, Kleine Geschichte der modernen Kunst, Berlin 1956, p. 90, 92, 93, 103 |
| L. Moholy-Nagy, Vision in Motion, Chicago n.d., p. 64, 134, 279, 315, 329 (Also on: I.K. Bonset) |
Articles on Van Doesburg:
| Fr. Markus Huebner, Die Holländische Stijlgruppe, Das Feuer, Febr. 1921 |
| Special Number of ‘Ma’, Budapest, July 1922 |
| W.L., Die Aubette in Strassburg, Die Form, 4th year, No. 2, Jan. 1929 |
| Marius Gifrédo, Theo van Doesburg, Barcelona, Mr. 1930 |
| W. Dexel, Theo van Doesburg, Das neue Frankfurt, Jun. 1931 |
| Jean Hélion, Theo van Doesburg ist tot, Köln, April 1931 |
| Hans Faber, Theo van Doesburg, Köln, April 1931 |
| Robert van 't Hoff, J.J.P. Oud, Piet Mondrian, Evert Rinsema, Anthony Kok, C. van Eesteren, Cesar Domela Nieuwenhuis, Kiesler, Kurt Schwitters, Jean Hélion, Alberto Sartoris, Kurt Schwanhässer, Records of Theo van Doesburg, De Stijl, Jan. 1932 |
| Theo van Doesburg, pintor y arquitecto, Barcelona, 1st trimester 1932 |
| Theo van Doesburg, Tokio, Aug. 1935 |
| A. Elzas, Theo van Doesburg, de 8 en Opbouw, Amsterdam, Aug. 1935 |
| H. Buys, De ontwikkelingsgang van Theo van Doesburg, Bouwkundig Weekblad, Amsterdam, Mr. 1936 |
| Bruno Zevi, L'Insegnamento critico di Theo van Doesburg, Metron, No. 44, 1932 |
Articles by Van Doesburg:
| Critical Articles: Essays on New Art Criticism; Asiatic Art, Sculpture, Art and Religion, Japanese Art, Modern Art, Kandinsky, De Eenheid, issued during 1912-1913 |
| Futurism, De Eenheid, 1912 |
| Revolt, De Eenheid, 1913 |
| Polemics: The forbidden ideas; Is the artist the servant of beauty? To the editor of ‘De Blijde Wereld en Dageraad’; Art, De Eenheid, issued during, 1912-1915 |
| Literature: The Legend of Bimbisara, De Eenheid, 1913 |
| Reflections on Art, De Avondpost, 1913-1914 |
| Review of Exhibition ‘Sint Lucas’, De Eenheid, 1914 |
| Literature: The War; Behind the house of Baal; The artist and the public, De Eenheid, 1914 |
| The modern artist and the art critic. De Controleur, 1914 |
| The Pig, (A ballad), Het Volksblad, 1914 |
| Art Criticism, De Avondpost, 1915 |
| The New Methods for Suicides; The Professor in Difficulty; Fabricius; Prof. L.C. Dake; Otto Knaap; A refined Surprise in the Style of a Trench; A Lamp without Light, De Controleur, 1915 |
| Art Criticism; About modern Art; About Nature and Art Criticism; Notes on Modern Art, De Eenheid, 1915 |
| Literature: My Love, Your Love, De Eenheid, 1915 |
| Pornographic Painting and Pornographic Criticism; A Painting; Plastic Art, De Controleur, 1916 (?) |
| Vincent van Gogh; Expressionism and Cubism; About the Art of Sculpture; Victor de Budt; The Independents-Impressions of a visitor; Art and Decorative Art; The Art of Painting, De Eenheid, 1916 |
| Essays: The Nature of Love. Literature: The Tempte of Beauty; The story of the Housewife Koone; The Story of the Dog; The Story of the false Dollar and the golden Mountain; The Story of Karkeene; The Story of the Geese; The Story of the Butterfly; Beggar's Blessing, De Eenheid, 1916 |
| The holy Stone, De Eenheid, 1916 (?) |
| Commentary on Expressionnist Literature, The volunteer (A story); The black Spot, Het Getij, 1916 |
| The painter De Winter; Revolution in Painting; Summary of New Plastic Art; Painting and Ornament, De Nieuwe Amsterdammer, 1916 |
| A series ‘Honaré Daumier, caricaturist and painter’, Oude Kunst, 1916-1918 |
| The Enemy, Volksblad, 1916 |
| The Independents; Away with dillettante criticism. De Controleur, 1917 |
| Review of Exhibition ‘Boot-Roggeveen’, De Eenheid, 1917 |
| Essays: Fra Angelico; Michelangelo (A series of articles from 1917-1919), De Eenheid, 1917 |
| The Mysticism of beauty and love, Het Getij, 1917-1918 |
| Plastic Art, De Wiekslag, 1917 |
[p. 273]
| Several Articles in: De Stijl, 1st year, 1917-1918. (See separate section for complete index) |
| A summary of new plastic (ideas) in the art of painting, Nieuwe Courant, 1918 |
| Several Articles in: De Stijl, 2nd year, 1918-1919. (See separate section for complete index) |
| An important Art Magazine; Culture of the Gods, Het Getij, 1919 |
| The foundations of new plastic art 1915-1918, Tijdschrift voor Wijsbegeerte, No. 1 en 2, 1919 |
| L'Arte Nuova in Olanda (Pittura Astratto Reale) a series, Valori Plastici, 1919-1920 |
| Several articles in: De Stijl, 3rd year, 1919-1920. (See separate section for complete index) |
| L'Art Monumental, Bleu-Mantova No. 1, Jul. 1920 |
| The task of a new architecture; Is a universal Style possible today; The significance of mechanical aesthetic for architecture and other studies; From the aesthetic to the working material; The significance of colour in the interior and the exterior of architecture; The new architecture, Bouwkundig Weekblad, 1920, p. 278-285; No. 32, 1920; 1921. p. 8-10, 164-166, 179-183, 219-221; 1922, p. 372-375; 1923, p. 232-234; 1924, p. 200-204 |
| L'Art Monumental, Lumière, 1920 (See Bleu-Mantova) |
| The development of the pittoresque and the monumental and their meeting in the new plastic art; Dada, De Nieuwe Amsterdammer, No. 261, 263, 274, 1920, No. 279, 1920 |
| Several articles in: De Stijl, 4th year, 1920-1921 (See separate section for complete index) |
| The significances of mechanical aesthetic for Architecture and other studies, (series), Bouwkundig Weekblad, 1921, p. 8-10, 164-166, 179-183, 219-221 |
| Avant-Garde Literature in Holland, Ça ira, 1921, No. 21 |
| Plastic Arts; New Word Construction; Review of ‘Avant-Garde’ art in Belgium, Germany and Italy, Het Getij, 1921; p. 33, 89, 120, 128 |
| The New Plastic Art in Holland, De Ploeg, 1921 |
| Several Articles in: De Stijl, 5th year, 1921-1922. (See separate section for complete index) |
| From the aesthetic to the working material, Bouwkundig Weekblad, 1922, p. 372-375 |
| A new plastic Art in Holland, Ça ira, 1922, No. 18 |
| Monumental Art, Bewb 12: 1922, p. 14, (published in Berlin) (Article published in Russian) |
| The significance of colour in the interior and the exterior of architecture, Bouwkundig Weekblad, May 1923, p. 232-234 |
| Red; Yellow; White; Blue; Mecano, 1922; 1922; 1923; 1923 |
| Zur elementaren Gestaltung (on elementary construction), ‘G’, Berlin, Jul. 1923 |
| Several articles in: De Stijl, 6th year, 1923-1924. (See separate section for complete index) |
| Diagnostic Architecture, Architectura, May 1924 |
| Odnowienie Architektury, ‘Blok’, No. 5, 1924 (Published in Polish) |
| The New Architecture, Bouwkundig Weekblad, May 1924, p. 200-204 |
| Vernieuwingspogingen in de Franse Architectuur (Essay on modern French Architecture) Het Bouwbedrijf, 1924, p. 173-177, 260-267 |
| Vers une construction collective, Bulletin d'Effort Moderne, Nov. 1924 |
| Several Articles in: De Stijl, 7th year, 1924. (See separate section for complete index) |
| Obnova Architektura (the new architecture); K Elementarni Tvorbe (Towards elementary structure); Ke Kollektivani Konstrukci (Towards Collective Construction) Nabytek, circa 1924. (Articles published in Czech) |
| Some notes about the preparation of the Exhibition of Decorative Arts (Exposition des Arts Décoratifs, Paris 1925); Essay on French Architecture; Preparation of the ‘Exposition’; Vernieuwingspogingen der architectuur in Duitsland en Oostenrijk (Essay on Modern Architecture in Germany and Austria); Dutch pavilion of the ‘Exposition 1925’ Paris. Het Bouwbedrijf, 1925; p. 109; p. 32-37, 108-112; p. 151-153; p. 197-200; p. 221; p. 225-227, 262-265, 363-366 (continued from p. 197-200) |
| The Evolution of Modern Architecture in Holland, The Little Review, Spring 1925, p. 47 (Article published in English) |
| The end of art, Periszkop, Jun.-Jul. 1925 (Roumanian Publication, written in German) |
| Several Articles in: De Stijl, 8th year, 1925. (See separate section for complete index) |
[p. 274]
| The new architecture in Holland and its consequences, CA-2 1926 |
| Architectuurvernieuwingen in het buitenland, Frankrijk, Duitschland, Oostenrijk, Tsjecho-Slowakije (Architectural Modernization in other Countries); The architect André Lurçat, Het Bouwbedrijf, 1926, p. 74-78, 191-194, 228-230, 266-268, 296-298, 346-349, 371-372, 424-427, 477-479; p. 152-155 |
| Several Articles in: De Stijl, 9th year, 1926. (See separate section for complete index) |
| Über das Verhältnis von Malerischer und Architektonischer Gestaltung, Der Cicerone, No. 18, Sept. 1927, p. 564 |
| Architectural Modernization in other Countries; Reply to a letter from Vienna, Het Bouwbedrijf, 1927, p. 40-44, 88-91, 217-220, 263-266, 305-308, 352-355, 395-400, 436-441, 468, 519-523, 556-559; p. 145 |
| La actividad de la Arquitectura moderna Hollandesa, Arquitectura No. 96, 98, 1927, No. 105, 1928, p. 43, 213, 16 |
| The end of art, Shin Kenchiku, Jun. 1927, (published in Japanese) |
| The progress of the modern movement in Holland, Ray, No. 2, 1927 (published and written in English) |
| Several Articles in: De Stijk, 10th year, 1927 (See separate section for complete index) |
| Collective Art and its social importance Vouloir, No. 25, 1927 (published in French) |
| De Ombeelding van de Aubette in Straatsburg, Het Bouwbedrijf, 1928, p. 49-53, 116-122, 179-181, 201-203 |
| Die Moderne in Holland, Die Bauschau, December 1928 |
| Constructive Art in the interior, Binnenhuis, Oct. 1928, p. 279, Dec. 1928, p. 345 |
| L'Architecture Moderne en Hollande, La Construction Moderne, 1928, 8 Jan., Apr.?, 3 Jun., 30 Dec.; 1929, 21 Apr. |
| Die Verkehrsstadt, Architektur der Gegenwart, No. 3, 1929 |
| Constructive Art in the interior; Stained Glass in Old and New Architecture, Binnenhuis, 1929, Jan. p. 29, Feb. p. 39, Mar. p. 54, Apr. p. 67, May p. 111, Jun. p. 145, Aug. 1st. p. 181, Aug. 29th. p. 205, Oct. p. 241; Nov. p. 279, Dec. p. 301 |
| Architectural Modernization in other Countries, Het Bouwbedrijf, 1929, p. 311, 401, 472, 524 |
| Film als reine Gestaltung; Das Buch und seine Gestaltung, Die Form, May, 1929; Nov. 1929 |
| Der Kampf um den neuen Stil (a series), Neue Schweizer Rundschau, Jan. Mar. May, Jul. Aug. 1929 |
| Vers la peinture blanche, Art Concret, Apr. 1930 |
| Constructive Art in the interior; Stained Glass in Old & New Architecture, Binnenhuis, 1930, Jan., Apr. 28th, p. 97, Jul. 3rd, p. 157, July 31st, p. 181; Jan. p. 26, Feb. p. 49. |
| Architectural Modernization in other Countries, Het Bouwbedrijf, 1930, p. 60, 87, 145, 259, 358 |
| Furniture in Ancient and Modern Times; The Old and New in Textile Art, L'Intérieur, 1930, p. 1567, 1609, 1651, 1695, 1783 |
| Articles in: De Stijl, 1930. (See separate section for complete index) |
| Surréalist Literature in France, Groot Nederland 1931, Feb., Mar. |
| Die Erneuerung der Kunst und Architektur, Hrvatska Revija, No. 8, 1931 (article published in Czech) |
| The Old and New in Textile Art, L'Intérieur 1931, p. 1826, 1867, 16, 64 |
| Doesburg reprints selections from his writings, Kentiku Sekai, Oct. 1935 (Published in Japanese) |
| Monumental Art (A Translation from Bleu-Mantova), Terramar, No. 33, 34, 2nd year |
| Az Epiteszet Mint Szintetikus muveszet (translation into Hungarian by Ford Gaspar Endre), Ma, No. 7 |
| Monumental Art (Translation in Russian from Bleu-Mantova), Ves, No. 1 |
The following articles were left uncompleted:
| L'Architecture Européenne; La Cité de demain; Werdegang der neuen Malerei; Doctrine esthétique; L'Importance de la quatrième dimension dans la nouvelle plastique et la nouvelle architecture; Grand Manifeste de l'Elémentarisme |
The following articles remained unpublished:
| L'Esprit fondamental de l'architecture contemporaine, 1930; Die neue Architectur und ihre Konsequenzen, 1930; Die Stadt ohne Strassen (first part of a study) 1930 |
| Van Doesburgs contributions to De Stijl: 1917-1918 1st year |
| Introduction to De Stijl, 1 |
| Criticism of a picture by van der Leck, 11 |
| Criticism of the plan for a house by Oud, 11 |
| About the painter V. Huszar, 35 |
[p. 275]
| (1) Fragments-Philosophy of the Aesthetic, 47 |
| Answer to Mme. Pijper (defense of Modern Art), 65 |
| Criticism of an interior by R. van 't Hoff, 71 |
| (2) Fragments - Philosophy of Man, 84 |
| About the painter P. Alma, 91 |
| Modern Architecture in Reinforced Concrete, 96 |
| Comments on two drawings by P. Mondriaan, 108 |
| Open letter to Huib Hoste (defense), 111 |
1918-1919 2nd year
| Manifesto I 1918 of De Stijl, 2 |
| Notations on Monumental art (two works by Oud and a pavement by Theo van Doesburg), 11 |
| Think! Look! Create! (the philosopby of De Stijl), 23 |
| Several Thoughts on Modern Architecture (criticism on R. van 't Hoff), 31 |
| Modern changes in the teaching of art (a series), 34, 44, 57, 66, 91, 102, 127, 137 |
| How to look at modern painting (a comparison of the work of V. Huszar with an unknown imitator), 42 |
| (3) Fragments - Philosophy, 48 |
| On the Magazine Valori Plastici, 61 |
| How to look at modern paintings (of Theo van Doesburg, Archipenko, Tour d'Onanky), 62 |
| Answer to open letter by Huebner (critic), 96 |
| As editor: |
| Obituary: Guillaume Apollinaire, 14 |
| Introduction to Second Year of De Stijl, 1 |
| Book Review: Handboek voor Schilders by P.H. Bartels, 36 |
| Comment on the Italian, Carlo Carra and the book on Modern Art he is writing, on Lionel Feininger, on Walter Gropius and the founding of the art academy (later to be called Bauhaus), 84 |
| News of the Art World, 68-70 |
| Paul Westheim on ‘Russia Today’ in Das Kunstblatt, March 1919; Russian Museum of Modern Art; Art in the Socialist Republic under the direction of Lunatscharski; Picasso changes his style but he has not left cubism (he did); Berlin Museum of Modern Art; To show what young artists are doing in Germany today (disagrees with expressionism), 104 |
| Comments on Expressionism, 140 |
| Comment on a Painting of Tour D'Onasky, 96 |
1919-1920 Third Year
| Articles by Theo van Doesburg, and I.K. Bonset (a pseudonym of Theo van Doesburg): |
| Manifesto II on Literature, 49-54 |
| On New Music, 5 |
| The Painting of Chirico & A Chatr designed by Rietveld, 46 |
| The Raison d'Être for the Plane in New Art, 62 |
| Black or White (Cubisni does not grow out of negro art) (on Lipschitz, Picasso, Cocteau), 87 |
| The Cubism of Picasso & The Stijl Movement (De Stijl née de Cubisme), 89 |
| The Aesthetic of Picture Framing, 92 |
| Bulletin: Kandinsky Chosen Soviet Art Leader!, 72 |
| I.K. Bonset: |
| X-Beelden ‘Poème Cubiste’, 57, 77 |
| Modern Poetry and the Tightrope (A defense of abstract poetry), 70 |
| The other Face (Ideas on Dadaism, Criticism) (Later the title of Theo van Doesburg's novel), 84 |
| As Editor: |
| Art News, 9, 24, 36, 47, 72, 78, 86, 95, 102 |
| Introduction to the third year of ‘De Stijl’, 1 |
| Comments on reproduced work of: |
| Survage, 8 |
| Vantongerloo, 23 |
| Archipenko, 32 |
| Oud, 44 |
| Bethlehem Shipbuilding Yard (photo) (Sparrows Pt.), 64 |
| Archipenko, 72 |
| Studies of Colour in the Interior by Theo van Doesburg in 1919, 103 |
| Comments on Spanish, Belgian, Swiss, German and French Art Activities, 24 |
1920-1921 Fourth Year
| Manifesto III (non-political Manifesto), 123 |
| Theo van Doesburg: |
| About Modern Painting (on Neo-Cubism), 33 |
| Introduction to Aldo Camini (Theo van Doesburg's pseudonym), 65 |
| Abstract film making (on Hans Richter), 71 |
| I.K. Bonset: |
| Introduction to the New Poetry (two articles), 1, 24 |
[p. 276]
| The Other Fuce (Phil. Ideas), 93, 179 |
| Critical ‘Tcsseracts’, 99 |
| The Foundations of New Poetry, 161-172 |
| Letter Construction and X-Beelding, 103-108 |
| As Editor: |
| Art News, 9, 26, 56, 87, 143, 152 |
| New Typographical Arrangement of ‘De Stijl’, 17 |
| Open Letter on Anti-Symmetry, 75 |
| The Cubist Problem, its Foundation, its Consequences, 145, 173 |
| Aldo Camino (Pseudonym of Theo van Doesburg): |
| The Anti-Philosophical Point of View 65, 82, 97, 118, 180 |
Fifth Year 1921-1922
| Theo van Doesburg as ed.: |
| Art News, 8, 138 |
| Remarks on Concrete Houses at Rotterdam, Hardeveldt: 11 |
| The Will to Style (in German); New Forms for Living, Art Technique; Short Review of the International Artists Conference at Dusseldorf 1922, 49 |
| Manifesto of the above, 49 ff |
| Balance Through Modern Art, 106, 130 |
| Letter of Correction to a Critic of Oud's, 141 |
| The Consequences of the Pen and Scribe; Selected Quotations from Articles Appearing since 1912 and extensive bibliography 1912-1922, 185 |
| De Stijl-Survey of The Movement 1917-1922, 178 |
| Retrospect (The troubles of Theo van Doesburg), 208 |
| I.K. Bonset: |
| X-Beelden, 16 |
| Constructive Poetry and It's Rapport with the other arts, 88 |
| Summary of Literary Work, 205 |
| Aldo Camini: |
| Anti-Philosophical, etc. continued, 86 |
Sixth year 1923-1924
| Theo van Doesburg as ed., |
| From the New Aesthetic to the Material Realization (in German), 10 |
| Against Political Art, 17 |
| Light and Time Construction (The Film), 58 |
| Towards Constructive Architecture, 78 |
| Towards Collective Construction, 89 |
| Manifesto V (with van Eesteren), Principles of Colour in Architecture, 91 |
| Surrealism-Realistic Conversation (anti surrealism), 103 |
| The Death of Modernism (Too many movements), 122 |
| Notes on Stained Glass Windows 1924, 134 |
| Fiasco of Holland at the Paris Exhibition of 1925 (The exclusion of De Stijl), 156 |
Art News-On Surrealism
| A. Camini |
| Anti-Philosophical, etc., 30 |
| I.K. Bonset: |
| Symptoms of the Reconstruction of Poetry in Holland, 44 |
Seventh Year-Tenth Year 1924-1927
| Theo van Doesburg: |
| Painting From Composition to Counter-Composition, 17 |
| The End of Art, 29 |
| Painting and Plastic (Fragmentary manifesto on elementarism), 35, 82 |
| I.K. Bonset: |
| About Constructive Writing, 2 |
| The Other Face (a poem), 64 |
| The other Face (beginning serial publication of this unfurnished abstract work in prose, a novel), 66, 89, 107 |
| The Sense of Literature, 70 |
| As Editor: |
| Comment on the German Social Democratic Subsidies to Artists, 56 |
| 10 Years of De Stijl (Jubilee Number), 2 |
| Administrative Procedure on Jubilee Nr., 127 |
| I.K. Bonset in Jub. Nr.: |
| The Other Face Continued, 13 |
| About Words and Literature 1917-1927, 10 |
| Aubette Issue |
| Theo van Doesburg: |
| L'Aubette in Strasbourg, 2 |
| Elementarism and its Origins, 20 |
| Colour in Space-Time (in German), 26 |
| Dernier Numéro (published posthumously by Mme, Petro van Doesburg containing selections from articles by most members of De Stijl, unfinished articles by Theo van Doesburg at the time of his death and messages of condolence from well-known artists) |
[p. 277]
| Theo van Doesburg: |
| Elementarisme (in French), 15 |
| Diary of Theo van Doesburg (selections), 19-30 |
| I.K. Bonset: |
| The Other Face (Last Complete Chapter), 31 |
| Aldo Camini |
| Caminioscopie, 34 |
Books and Pamphlets 1912-1931
| Essential Ideas of New Constructive Art-Bauhaus Book (in German) |
| l'Architecture Vivante - Paris 1924. |
| Collected Poems Volle Maan' (Full Moon) Pub. Stijl 1921 |
| De Stem uit de Diepte, 1915. |
| Soldaten Verzen 1916 (Soldiers Poems) |
| Wat is Dada? Stijl 1923. |
| New Architecture and its Consequences (in German) Wasmuth-Verlag Berlin (Die neue Architectur und ihre Folge). |
| Reprints of Poems in Giedion-Welcker's ‘Anthologie der Abseitigen’. |
| In Palet; Publ. De Spieghel Amsterdam 1931 p. 30 ‘Personal Creed’ (in French) |
| Several Points of Explanation of Modern Painting, a pamphlet of a lecture read 13 Oct. 1929 in Stedelijk Museum. |
Unpublished
| Diary from 1906 to day of death. |
| Several hundreds of letters exchanged between Theo van Doesburg and Mondriaan and others. |
| Shorthand records of all conferences and seminars from 1916-1931. |
| Catalogues of ail Exhibitions of Paintings in manuscript and final form. |
| Albums of photos and plans for architectural work including l'Aubette. |
| Book of Cartoons (showing working methods) |
| Collected unpublished and published architectural papers (unsorted). |
| Manuscript on Theory of Colour. |
| Manuscripts of Miscel. Lectures. |
| Original manuscripts of most published articles. |
| These and all other items are in the possession of Mme. van Doesburg at Meudon, Paris |
Cesar Domela
| Ch. Biederman, Art as the evolution of visual knowledge, Red Wing, Minneapolis, Minnesota 1948, p. 448, repr. p. 540 |
| W. Haftmann, Malerei im 20. Jahrhundert, München 1954 |
| W. Jos. de Gruyter, De Europese Schilderkunst na 1850, Den Haag 1954, p. 270 |
Books by Domela:
| Six réproductions en couleurs (Monographie) Préface de Kandinsky, Paris, undated, no editor. |
| Tableaux-objets, Galerie Pierre, Paris undated |
C. van Eesteren
| S. Giedion, Space, Time and Architecture, the growth of a new tradition, Cambridge, Mass. 1941, 2nd Ed. 1952, p. 373, 453, 604, 605 |
| J.J. Vriend, De Bouwkunst van ons land, Amsterdam 1942, p. 187, 202 |
| M. Raynal a.o., De Picasso au Surréalisme, Histoire de la Peinture Moderne, Genève-Paris 1950, p. 106 |
| S. Giedion, A decade of new architecture, Zürich 1951, p. 7, 211 |
| W. Haftmann, Malerei im 20. Jahrhunderts, München 1954 |
| A.H. Barr, Masters of Modern Art, Museum of Modern Art, New York 1954, p. 217 |
| C. Giedion Welcker, Plastik des XX. Jahrhunderts, Stuttgart 1955 |
Robert van 't Hoff
| S. Giedion, Space, Time and Architecture, Cambridge, Mass. 1941, 2nd ed. 1952, p. 360 |
| J.J. Vriend, De Bouwkunst van ons land, Amsterdam 1942, p. 85, repr. 68 |
| W. Haftmann, Malerei im 20. Jahrhundert, München 1954 |
| L. Zahn, Kleine Geschichte der modernen Kunst, Berlin 1956, p. 90 |
V. Huszar
| Arp und Lissitzky, Die Kunstismen, Zürich 1925, p. 13 |
| W. Jos. de Gruyter, De Europese Schilderkunst na 1850, Den Haag 1954, p. 269 |
Friedrich Kiesler
| L. Moholy-Nagy, Vision in Motion, Chicago undated p, 264 |
| A. Breton et M. Duchamp, Le surréalisme en 1947, Paris 1947 |
| A. Breton, Entretiens, Paris 1952 |
| A.H. Barr, Masters of Modern Art, Museum of Modern Art, New York 1954, p, 217 |
[p. 278]
Books by Kiesler:
| Contemporary Art, Brentano, New York 1930 |
Bart van der Leck
| H. Kröller-Müller, Die Entwicklung der modernen Malerei, Leipzig 1925, p. 220-230 |
| P. Fierens, L'Art hollandais Contemporain, Paris 1933, repr. 79, 80 |
| K. Niehaus, Levende Nederlandsche Kunst, Amsterdam 1942, p. 119, 164, 165, 166, 167 |
| M. Raynal a.o., De Picasso au Surréalisme, Histoire de la Peinture Moderne, Genève-Paris 1950, p. 106 |
| W. Jos de Gruyter, De Europese Schilderkunst na 1850, Den Haag 1954 |
| W. Haftmann, Malerei im 20. Jahrhundert, München 1954 |
| L. Zahn, Kleine Geschichte der modernen Kunst, Berlin 1956 |
El Lissitzky
| Will Grohmann, Die Sammlung Ida Bienert, Dresden, Potsdam 1933, p. 16, 22 |
| L. Moholy-Nagy, Vision in Motion, Chicago 1938?, p. 134, 148, 308, 315 |
| G. Kepes, The language of vision, Chicago 1944, 2nd ed. 1951, p. 23, 41, 110, 218, 226 |
| Ch. Biederman, Art as the evolution of Visual knowledge, Red Wing, Minneapolis, Minnesota 1948, p. 448 |
| Collection of the Société Anonyme, New Haven, Conn. 1950, p. 158 |
| M. Raynal a.o., De Picasso au Surréalisme, Histoire de la Peinture Moderne, Genève-Paris 1950, p. 106 |
| A.H. Barr, Masters of Modern Art, Museum of Modern Art, New York 1954, p. 228, 230 |
| W. Haftmann, Malerei im 20. Jahrhundert, München 1954 |
| W. Jos de Gruyter, De Europese Schilderkunst na 1850, Den Haag 1954, p. 263 |
| H. Sedlmayer, Die Revolution der modernen Kunst, Hamburg 1955, p. 66, 129 |
Books by Lissitzky:
| Die Kunstismen (Mit Arp), Zürich 1925 |
Piet Mondriaan
| Alb. Plasschaert, XIX Eeuwsche Hollandsche Schilderkunst, Amsterdam 1909, p. 301 |
| Alb. Plasschaert, P. Mondriaan (St. Lucas 1910), Karakteriseering, Kritieken II (1909-1910) No. 2, p. 1-3 |
| Alb. Plasschaert, Naamlijst van Hollandse Schilders, Amsterdam 1912 |
| W.R. Valentiner, The Art of the low Countries, Garden City N.Y. 1914 |
| Theo van Doesburg, De Nieuwe Beweging in de Schilderkunst, Delft 1917. German Edition: Grundbegriffe der neuen gestaltenden Kunst, München 1924 |
| Theo van Doesburg, Drie voordrachten over de Nieuwe Beeldende Kunst, Amsterdam 1919 |
| Theo van Doesburg, Klassiek-barok-modern, Antwerpen 1920. French Edition: Classique-baroque-moderne, Paris 1920 |
| Erich Wichman, Camouflage, Monsieur Theo van Doesburg et son style in: Erich Wichman tot 1920, met inleiding van Prof. Dr. W. Vogelsang, Amsterdam 1920, p. 201-206 |
| F.M. Huebner, Die neue Malerei in Holland, Leipzig-Arnhem 1921 |
| F.M. Huebner, Moderne Kunst in den Holländischen Privatsammlungen, Leipzig-Amsterdam 1921 |
| L. Kassák und Laszlo Moholy-Nagy, Uj müveszek Könyve, Budapest 1922. German Edition: Buch neuer Künstler, Wien 1922 |
| Alb. Plasschaert, De Hollandsche Schilderkunst vanaf de Haagsche School tot op de tegenwoordige Tijd, Amsterdam 1923, p. 216 |
| H. Hildebrandt, Die Kunst des 19. und 20, Jahrhunderts, Handbuch für Kunstwissenschaft, Potsdam 1924 |
| H. Kröller-Müller, Beschouwingen over problemen in de ontwikkeling der moderne schilderkunst, 1925. German Edition: Die Entwicklung der modernen Malerei, Leipzig 1925 |
| Adolf Behne, Von Kunst zur Gestaltung, Einführung in die moderne Malerei, Berlin 1925 |
| L. Lissitzky und Hans Arp, Die Kunstismen, Erlenbach-Zürich 1925 |
| Katherine S. Dreier, Modern Art, New York 1926, p. 48-49 |
| W. Grohmann, Mondriaan (Mondrian), Pieter Cornelis, Thieme-Becker, Leipzig 1931, dl. 25 |
| Palet, een boek gewijd aan de hedendaagse Nederlandse Schilderkunst. Samengesteld door: Paul Citroen, Amsterdam 1931, p. 76-82 |
| Paul Fierens, L'Art Hollandais Contemporain. Paris 1933 |
| Will Grohmann, Die Sammlung Ida Bienert, Dresden, Potsdam 1933 |
[p. 279]
| James Johnson Sweeney, Plastic Redirections in 20th Century Painting, Chicago 1934 |
| Herbert Read, Art and Industry, London 1934 |
| J.J. Vriend, Nieuwere Architectuur, Amsterdam 1935 |
| J. Bendien en A. Harrenstein-Schröder, Richtingen in de Hedendaagse Schilderkunst, Rotterdam 1934 |
| J. Torres Garcia, Estructura, Dedicated to Piet Mondrian, Montevideo 1935 |
| René Huyghe, La Peinture, Paris 1935 |
| Jos. de Gruyter, Wezen en Ontwikkeling der Europeesche Schilderkunst na 1850, Amsterdam 1935, p. 21, 71, 201-202, 1 repr. Tweede herziene en aanmerkelijk uitgebreide druk, Den Haag 1954, p. 266-269 |
| Geoffrey Grigson, The arts to-day, London 1935 |
| Alfred H. Barr, Cubism and Abstract Art, Museum of Modern Art, New York 1936 |
| Carola Giedion-Welcker, Modern plastic art, Zürich 1937 |
| Christian Zervos, Histoire de l'art contemporain, Paris 1938 |
| Hermann Madsen, Fran Symbolism till Surrealism, Stockholm 1939 |
| K. Niehaus, Levende Nederlandsche Kunst, Amsterdam 1942 |
| Samuel M. Kootz, New Frontiers in American Painting, New York 1943, p. 50-53 |
| Sidney Janis, Abstract and Surrealist Art in America, New York 1944 |
| S.J. Mak van Waay, Lexicon van Nederlandse Schilders en Beeldhouwers, 1870-1940, Amsterdam 1944, p. 83 |
| J. Torres Garcia, Universalismo constructivo, Buenos Aires 1944 |
| Gyorgy Kepes, Language of Vision, Chicago 1944 |
| S. Giedion, Space, Time and Architecture, the growth of a new tradition, Cambridge, Mass. 1946, p. 336, 360-361 |
| L. Moholy Nagy, Vision in Motion, Chicago 1946 |
| L. Moholy Nagy, The New Vision, New York 1947 (4th ed.) |
| J.J. Sweeney, Mondrian, Museum of Modern Art, New York 1948 |
| Henry Russell Hitchcock, Painting to wards architecture, Meriden, Conn. 1948 |
| S. Giedion, Mechanization takes Command, a contribution to anonymous history, New York 1948, p. 485-486 |
| Ch. Biederman, Art as the evolution of visual knowledge, Red Wing, Minneapolis, Minnesota, 1948 |
| M. Seuphor, L'Art abstrait, ses origines, ses premiers maîtres, Paris 1949, p. 73-76, 112-115 |
| Aaron Berkman, Art and Space (the final synthesis), New York 1949, p. 167-168 |
| M. Raynal, a.o. De Picasso au surréalisme Histoire de la peinture moderne, Genève-Paris 1950 |
| A.C. Ritchie, Abstract Painting and Sculpture in America, Museum of Modern Art, New York 1951 |
| Th.B. Hess, Abstract Painting, Background, and American Phase, New York 1951 |
| J. Busse, Mondriaan ou Mondrian, Pieter Cornelis, dit Piet in E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs, 1953, vol. 6 |
| Will Grohmann, Zwischen den beiden Kriegen, III, Berlin 1953 |
| A.H. Barr, Masters of Modern Art, Museum of Modern Art, New York 1954, p. 122-23, 127 |
| W. Haftmann, Malerei im 20. Jahrhundert, München 1954 |
| H. Sedlmayr, Die Revolution der modernen Kunst, Hamburg 1955 |
| C. Giedion-Welcker, Plastik des XX. Jahrhunderts, Stuttgart 1955, XVI, XVII |
| L. Zahn, Die Kleine Geschichte der moderne Kunst, Berlin 1956 |
| Articles: |
| Fred. van Eeden, Gezondheid en Verval in Kunst naar aanleiding van de tentoonstelling Spoor-Mondriaan-Sluyters, Op de Hoogte, 1909, p. 79-85 |
| P. Mondriaan, Jan Sluyters, C. Spoor, Stedelijk Museum, Onze Kunst 8, 1909, dl. 1, p. 97-98 |
| Arnold Saalborn, Piet Mondriaan a.o., De Kunst 4, 1911-12, p. 74-77 |
| Alb. de Haas, Uit Domburg, Onze Kunst 11, 1912, dl. 22, p. 123-124 |
| Guillaume Appolinaire, A travers le Salon des Indépendants, Paris 1913, Montjoie 1, 1913, no. 3 |
| N.H. Wolf, Rotterdamsche Kunstkring, Petrus Alma, Le Fauconnier, Piet Mondriaan, De Kunst 7, 1914-1915, p. 250-253 |
| A.O. (Aug. de Meester-Obreen), Piet Mondriaan, Elsevier 25, 1915, dl. 50, p. 396-399 |
| H.P. Bremmer, Lijnencompositie, Beeldende Kunst 3, 1915-16, p. 106-107, no. 72 |
[p. 280]
| Kunstberichten, tentoonstellingen, Amsterdam, Sted. Museum, Moderne Kunst, Onze Kunst 15, 1916, dl. 29, p. 30 |
| De Stijl. Leiden-Weimar-Parijs 1917-1931 |
| H.P. Bremmer, Lijncompositie, Beeldende Kunst 5, 1917-18, p. 47-48, no. 32 |
| Theo van Doesburg, Aantekeningen bij twee teekeningen van Piet Mondriaan, De Hollandse Revue 23, 1918, p. 483-485 (from De Stijl 1, 1917-18, p. 108-111) |
| Herman F.E. Visser, Neuere Holländische Malerei, Das Kunstblatt 2, 1918, p. 314-323 |
| Kaspar Niehaus, L'Art hollandais contemporain, Selection 2, 1922, p. 169-198 |
| C. V(eth), Piet Mondriaan in den Hollandschen Kunstkring, Elsevier 32, 1922, vol. 63, p. 287-288 |
| Herman Hana, Piet Mondriaan, de pionier, Wil en Weg 2, 1923-24, p. 602-608 en 635-639; reprinted in: De Fakkel 1, 1925, p. 62-68 en 74-79 |
| Alfrèd Kemény, Die abstrakte Gestaltung vom Suprematismus bis Heute, Das Kunstblatt 8, 1924, p. 245-248 |
| Mondrian, Merz II, no. 8-9, April-Juli, Hannover 1924, p. 77 |
| W. Grohmann, Dresdner Ausstellungen, Kühl u. Kühn, P. Mondrian, Man Ray, Der Cicerone 17, 1925, p. 1007-1008 |
| Theo van Doesburg, The Progress of the Modern Movement in Holland, Ray, London 1927, no. 2, p. 11-13 |
| H. van Loon, Piet Mondriaan, de mensch, de kunstenaar, Mbl. voor Beeldende Kunsten 4-1927, p.195-199 |
| Theo van Doesburg, Über das Verhältnis von malerischer und architektonischer Gestaltung (mit einer Einführung zur Stijlbeweging in Holland), Der Cicerone 19, 1927, p. 564-570 |
| Cercle et Carré, Paris 1930, Trois numéros. Redaction: Michel Seuphor |
| Sven Bocklund, Piet Mondrian, Hyresgasten, Göteborg 20, 1931, Oct., p. 1-3 |
| Alexander Doerner, Considération sur la signification de l'art abstrait, Cahiers d'art 6, 1931, p. 354-357 |
| Piet Mondrian, Abstraction-Création-Art non figuratif 1, 1932, p. 25 |
| J. Bendien, Piet Mondriaan 60 jaar, Elsevier 42, 1932, vol, 84, p. 168-174; reprinted in: Jacob Bendien 1890-1933. Een herinneringsboek samengesteld door Paul Citroen, Rotterdam 1940 |
| Piet Mondrian, Abstraction-Création-Art non figuratif 2, 1933, p. 31. |
| Theo van Doesburg, Neoplasticisme, D'Aci y d'Alla (Barcelona) 22, 1934, no. 1, 79: 22D |
| G. Knuttel, La Peinture en Hollande, (avec biogr. et bibliogr.) L'Annonce de l'Art 15, 1934, p. 402 en 404 |
| Enquète... Piet Mondrian, Cahiers d'Art 10, 1935, p. 31 |
| Piet Mondrian, Three Notes (translated from the French by J.J.S.), Transition 26, 1937, p. 118-119 |
| H. Buys, Piet Mondriaan; de werkelijke waarde der tegenstellingen, Kroniek v. Hedendaagse Kunst en Kultuur, 5, 1939-40, p. 34-36 |
| Sidney Janis, School of Paris comes to U.S., Piet Mondriaan, p. 85-95, Decision 2, 1941, nos 5-6, p. 85-95 |
| Robert Motherwell, Notes on Mondrian and Chirico, VVV 1942, p. 58-61 |
| H. Felix Kraus, Mondriaan, a great moden Dutch painter, Knickerbocker Weekly 2, 1942, no. 30, p. 24-25 |
| Max Bill, Aan Piet Mondriaan op zijn 70e verjaardag, 8 en Opbouw 13, 1942, no. 12 |
| George L.K. Morris, Relations of painting and sculpture, Partisan Review 10, 1943, no. 1, p. 63-71 |
| Ch. Wiegand, The meaning of Mondrian, Journal of Aesthetics and Art Criticism 2, 1943, no. 8, p. 62-70 |
| Robert Motherwell, Painter's objects, Partisan Review 11, 1944, no. 1, p. 93-97 |
| Jay Bradley, Pieter Mondrian, 1872-1944; As Ernst remembers Mondrian, Knickerbocker Weekly 3, 1944, 14 Febr., p. 16-25 |
| Maude Riley, Mondrian dies, Art Digest 18, 1944, 15 Febr., p. 23 |
| J.J. Sweeney, Piet Mondrian, Partisan Review 11, 1944, no. 2, p. 173-176 |
| Interview with Harry Holtzman, Studio-New Yorker 20, 1944, 15 Apr., p. 20-22 |
| Robert Motherwell, The modern painter's world, Mexico 1, 1944, no. 6 |
| Harriet Janis, Notes on Piet Mondrian, Arts and Architecture 62, 1945, p. 28-30 |
| Ch. Sterling, Art Français en Amérique, Piet Mondrian, Amour de l'Art 25, 1945, p. 35 |
| Serge Chermayeff, Mondrian of the Perfectionists, Art News 44, 1945, Mr., p. 14-16, Aug., p. 22 |
| Mondrian makes the mode, Art News 44, 1945, Aug., p. 22 |
[p. 281]
| J.J. Sweeney, Piet Mondrian, Bulletin Museum of Modern Art, New York 12, 1945, no. 4, p. 1-12 |
| Parker Tyler, Mondrian and the squaring of the circle, Arts and Architecture 63, 1946, Aug., p. 32-33, 50-52 |
| J.J. Sweeney, Eleven Europeans in America; interview, with list of exhibitions, 1942-1945 (with bibliography and portrait), Bulletin Museum of Modern Art, New York, 13, 1946, Sept., p. 35-36 |
| H.A. van Anrooy, Piet Mondriaan, Forum 1, 1946, p. 264-265 |
| Harry Holtzman, P.M., The League Quarterly, N.Y. 19, 1947, no. 1, Spring |
| Piet Mondrian, Cahiers d'Art 22, 1947, p. 103-116 |
| A.M. Hammacher, Piet Mondriaan 1872-1944, Kroniek van Kunst en Kultuur 9, 1947, p. 233-237 |
| John Alford, Last Lines of Mondrian, College Art Journal 8, 1948, no. 1, p. 14-16 |
| Oscar Reutersvärd, Carsund och neoplasticimnen, Konsthistorisk Tidskrift 18, 1949, p. 19-27 |
| The only artist who influences storage unit design is Mondrian, Interiors, N.Y., 108, 1949, Jul. |
| Michel Seuphor, Piet Mondrian et les origines du Néo-plasticisme; P. Mondrian, Le home - la rue - la cité(extraits); R. Bayer-Gorin, Influence de Mondrian, Art d'Aujourd'hui 1949, no. 5 Dec. |
| Damian Carlos Bayón, Piet Mondrian, Buenos Aires, V. 5, no. 17, Mayo 1950, p. 21-30 |
| Pierre Guéguen, Platon et l'art abstrait, XXe siècle, Nouvelle série, no. 1, 1951, p. 19-20 |
| A.W. Levi, Mondrian as Metaphysician, Kenyon Review 13, 1951, no. 3, p. 385-393 |
| J.J. Sweeney, Mondriaan, the Dutch and De Stijl; with facsimile of a letter to the author, Art News 50, 1951, Jun., p. 24-25 |
| F. Vordemberge-Gildewart, Zur Geschichte der ‘Stijl’-Bewegung, Werk 38, 1951, p. 349-356 |
| H. V(erburg), Piet Mondriaan, Beschouwinwingen bij een belangrijk bruikleen, Mededelingen Dienst voor Schone Kunsten, 's-Gravenhage 7, 1952, p. 12-15 |
| Max Bill, De la Surface à l'Espace, XXe siècle, Nouvelle série, 1952, no. 2, p. 59-65 |
| M. Seuphor, Histoire sommaire du tableaupoème, XXe siècle, Nouvelle série, 1952, no. 3, p. 21-26 |
| R.V. Gindertaël, Quelques Documents pour aider à mieux comprendre ‘Le Passage de la Ligne’, Art d'Aujourd'hui, sér. 2, 1952, Jun. p. 20-21 |
| M. Seuphor, Piet Mondrian 1914-1918, Magazine of Art 45, 1952, p. 216-223 |
| Julien Alvard, L'Espace cubiste, Art d'Aujourd'hui, 1953, no. ‘Cubisme’, p. 43-49 |
| S. Tillim, Space, time and Mondrian; 50 years of work on view at the Sidney Janis Gallery, Art Digest 28, 1953, 15 Nov., p. 18-19 |
| Michel Seuphor, Mondrian peintre figuratif, XXe siècle, Nouvelle série, no. 4 (double), Janvier 1954, p. 25-29 |
| Michel Seuphor, Mondrian indésirable, Art d'Aujourd'hui, sér. 5, 1954, no. 1 |
| Michel Seuphor, Neglect of Mondrian, Art Digest 29, 1954, 15 Febr., p. 16 |
| L.J.F. Wijsenbeek, 10 Jaar na Mondriaans dood, 's-Gravenhage 1954, 9 Juni, p. 12-18 |
Catalogues:
| Retrospectieve Tentoonstelling van werken van Piet Mondriaan ter eere van zijn vijftigste verjaardag, Stedelijk Museum, Amsterdam, Tent. Hollandse Kunstenaarskring, 4 Maart-2 April 1922 |
| Société Anonyme, International Exhibition Brooklyn Museum, New York, 1926 |
| Museum of Living Art, ed. by: A.E. Gallatin, University of New York, New York, 1933, Sec. ed. 1940 |
| Tentoonstelling Abstracte Kunst, Amsterdam, Stedelijk Museum, 1938, 2-24 April |
| Stedelijk Museum Amsterdam, Piet Mondriaan herdenkingsten toonstelling, 1946, 56 p. 23 repr. bibliogr. With contributions by Michel Seuphor, Til Brugman, Peter Alma, J.J.P. Oud, C. van Eesteren |
| Gedächtnis-Ausstellung Piet Mondrian, 1872-1944, Kunsthalle, Basel 1947 |
| Collection of the Société Anonyme; Museum of Modern Art 1920, Yale University Art Gallery, New Haven, Conn, 1950, p. 64-65 |
| Piet Mondrian, Exhibition Sidney Janis Gallery, New York, 5 February-17 March, 1951 |
| Stedelijk Museum Amsterdam, De Stijl, Cat. 81, Amsterdam 1951, p. 48-72 |
| Catálogo General, II Bienal do Museu de Arte Moderna de Sao Paulo 1953, p. 192-193; Sala especial Pieter Mondrian |
[p. 282]
| 50 Years of Mondrian, Sidney Janis Galery New York, November 1953 |
| Calalogo, Pintura contemporanea de los Paises Bajos, Ano 1954, Marzo, Montevideo 1954 |
| Mondriaan, Gemeente Museum 's-Gravenhage, 10 Februari-12 April 1955 |
| Mondriaan, Kunsthaus Zürich, 22 Mei-12 Juli 1955 |
| Piet Mondriaan 1872-1944, Catalogue of a retrospective exhibition of paintings held at the Whitechapel Art Gallery, London, August to September 1955 |
Articles by Mondriaan
| De Nieuwe Beelding in de Schilderkunst, De Stijl, 1, 1917-1918, Inleiding, No. 1, Oct. 1917, p. 2-6; De Nieuwe Beelding als Stijl, No. 2, Dec. 1917, p. 12-18; De Nieuwe Beelding als abstract-reële schilderkunst; Beeldingsmiddel en compositie, No. 3, Jan. 1918, p. 29-31; No. 4, Feb. 1918, p. 41-45; De Redelijkheid der Nieuwe Beelding, No. 5, Maart 1918, p. 49-54; No. 7, Mei 1918, p. 73-77; Van het natuurlijke tot het abstracte, d.i. van het onbepaalde tot het bepaalde, No. 8, Juni 1918, p. 88-91; No. 9, Juli 1918, p. 102-108; No. 10, Aug. 1918, p. 121-124; No. 11, Sept. 1918, p. 125-134; Natuur en Geest als vrouwelijk en mannelijk element, No. 12, Oct. 1918, p. 140-147 |
| Het bepaalde en het onbepaalde (aanvulling tot: De Nieuwe Beelding in de Schilderkunst, jaargang 1), De Stijl, II, No. 2, Dec. 1918, p. 14-19 |
| Dialoog over de Nieuwe Beelding (zanger en schilder), De Stijl II, No. 4, Febr. 1919, p. 37-39, No. 5, Maart 1919, p. 49-53 |
| Natuurlijke en abstracte realiteit, Trialoog, gedurende een wandeling van buiten naar de stad (leek, naturalistisch schilder, abstract-realistisch schilder), De Stijl II, No. 8, Juni 1919, p. 85-89; No. 9, Juli 1919, p. 97-99; No. 10, Aug. 1919, p. 109-113; No. 11, Sept. 1919, p. 121-125; No. 12, Oct. 1919, p. 133-137; De Stijl III, No. 2, Dec. 1919, p. 15-19; No. 3, Jan. 1920, p. 27-31; No. 5, Maart 1919, p. 41-44; No. 6, April 1920, p. 54-56; No. 8, Juni 1920, p. 65-69; No. 9, Juli 1920, p. 73-76; No. 10, Aug. 1920, p. 81-84 |
| Le Néo-Plasticisme, Principe Général de l'Equivalence Plastique, Ed. de l'Effort Moderne, Leonce Rosenberg, Paris, 1920, 14 p. German edition: Die Neue Gestaltung. Das Generalprinzip gleichgewichtiger Gestaltung. Bauhausbücher 5, München, 1925, p. 5-28 |
| De Groote Boulevards, De Nieuwe Amsterdammer, No. 272, 27 Maart 1920, p. 4-5; no. 274, 3 April 1920, p. 5 |
| De ‘Bruiteurs Futuristes Italiens’ en ‘Het’ Nieuwe in de Muziek, De Stijl IV, No. 8, Aug. 1921, p. 114-118; No. 9, Sept. 1921, p. 130-136, Translation in German: Die neue Gestaltung in der Muzik und die futuristischen italienischen Bruitisten. (Translated from the French by Max Burchartz), De Stijl VI, No. 1, Mr. 1923, p. 1-9 No. 2, April 1923, p. 19-25. German edition: Bauhausbücher 5, 1925, München, p. 29-42 |
| Het Néo-Plasticisme (de Nieuwe Beelding) en zijn (hare) realiseering in de muziek, De Stijl V, No. 1, Jan. 1922, p. 1-7; No. 2, Febr. 1922, p. 17-23 German edition: Die Neue Gestaltung, ihre Verwirklichung in der Musik und im zukünftigen Theater. Bauhausbücher 5, 1925, München, p. 42-53 |
| De Realiseering van het Néo-Plasticisme in verre toekomst en in de huidige architectuur, De Stijl V, No. 3, Mr. 1922, p. 41-47; No. 5, May 1922, p. 65-71. German edition: Die Verwirklichung der neuen Gestaltung in weiter Zukunft und in der heutigen Architektur. Bauhausbücher 5, München 1925, p. 54-64 |
| Moet de schilderkunst minderwaardig zijn aan de bouwkunst? De Stijl VI, No. 5, 1923, p. 62-64. German edition: Muss die Malerei der Architektur gegenüber als minderwertig gelten? Bauhausbücher 5, München 1925, p. 65-66 |
| Geen Axioma maar beeldend principe, De Stijl VI, No. 6-7, serie XII, 1924, p. 83-85 |
| De Huif naar den Wind, De Stijl VI, No. 6-7, serie XII, 1924, p. 86-88 |
| Neue Gestaltung, Neoplastizismus, Nieuwe Beelding, Bauhausbücher 5, München 1925 |
| L'Architecture Future Néoplasticienne, L'Architecture vivante III, No. 9, 1925, p. 11-13 |
| L'Expression Plastique Nouvelle dans la Peinture, Cahiers d'Art 1, No. 7, 1926, p. 181-183. Reprinted in: Cahiers d'Art XXII, 1947, p. 111-115 |
| De Jazz en de Néo-Plastiek, Internationale Revue i 10, 1, No. 12, Amsterdam 1927, p. 421-427 |
| Néo-Plasticisme, De woning - de straat - de |
[p. 283]
| stad. Internationale Revue i 10, 1, No. 1, Amsterdam 1927, p. 12-18. French edition: Le Home - La Rue - La Cité. Vouloir, Revue Mensuelle d'esthétique néo-plastique, No. 25, Lille 1927 |
| L'Art Réaliste et l'Art Superréaliste, La Morphoplastique et la Néoplastique, Cercle et Carré, organe du groupe internationale ‘Cercle et Carré’, No. 2, Paris, 15 Avril 1930 |
| De l'art abstrait. Réponse de Piet Mondrian, Cahiers d'Art VI, No. 1, 1931, p. 41-43 |
| Plastic Art and Pure Plastic Art, Circle, International Survey of Constructive Art, ed: Gabo, Martin and Nicholson, London 1937. Also in: Plastic Art and Pure Plastic Art, New York 1945 |
| Kunst zonder Onderwerp, Tentoonstelling Abstracte Kunst, Stedelijk Museum Amsterdam 1938, p. 6-8 |
| Toward the true Vision of Reality, Valentin Gallery, New York 1942. Also in: Plastic Art and Pure Plastic Art, New York 1945 |
| Pure Plastic Art, Masters of Abstract Art, (ed. by Stephan C. Lion and Charmion Wiegand for Helena Rubinstein's Gallery). New Art Center, New York 1942. Also in: Plastic Art and Pure Plastic Art, New York 1945. Dutch edition: Pure Beelding, Piet Mondriaan Herdenkingstentoonstelling Stedelijk Museum Amsterdam 1946, p. 40-43. French edition: Plastique Pure: Michel Seuphor, L'art abstrait, ses origines, ses premiers maîtres, Paris 1949, p. 173-176 |
| Abstract Art, Preface to: ‘Art of this century’, (ed. by Peggy Guggenheim), New York 1942. Also in: Plastic Art and Pure Plastic Art, New York 1945 |
| Liberation from Oppression in Art and Life, Plastic Art and Pure Plastic Art, New York 1945 |
| A New Realism (Written April 1943), American Abstract Artists, New York 1946. 7 p. (The above essay-Mondrian's last literary work-was written specially for the American abstract artists). Also in: Plastic Art and Pure Plastic Art, New York 1945 |
| Plastic Art and Pure Plastic Art 1937, and other essays 1941-1943, (Ed. by Robert Motherwell). The Documents of Modern Art, No. 2, New York 1945 (second edition 1947; third edition 1951). |
| La Vraie Valeur des Oppositions (écrit en décembre 1934). Cahiers d'Art XXII, 1947, p. 105-108 |
J.J.P. Oud
| Henry Russell Hitchcock, J.J.P. Oud, Série ‘Les maitres de l'architecture d'aujourd'hui’, Paris 1931 |
| J.G. Wattjes, Nieuw-Nederlandse bouwkunst 1, Amsterdam 1924, repr. No. 92, 93, 134 |
| A.J. van der Steur, Het stadswoonhuis in Nederland gedurende de laatste 25 jaren, 2nd ed., 's-Gravenhage 1924, repr. p. 158-l60 |
| H.P. Berlage, De ontwikkeling der moderne bouwkunst in Holland, Amsterdam 1925, repr. LI, LXIV |
| H. Fries, Moderne Villen und Landhäuser, 1925 |
| J.P. Mieras and F.R. Yerbury, Dutch Architecture of the XXth Century, 1926 |
| Gaetano Minnucci, L'abitazione moderna populare, Roma 1926 |
| E.E. Strasser, Neuere Holländische Baukunst, München-Gladbach 1926, p. 17 |
| Ebbe Sadolin, Vor Bolig, Kopenhagen 1927, p. 11 |
| Jan Lauweriks, Nieuwe Nederlandse Ruimtekunst, 1928, repr. 66, 67 |
| Henry A. Russell Hitchcock, Modern Architecture; Romantism and Reintegration, New York 1929, p. 175-188, repr. 29, 32, 47, 48, 184, 185 |
| Gustav Adolf Platz, Die Baukunst der neuesten Zeit, Berlin 1930, 2nd ed. p. 78, 79, 83, 119, 122-130, 167, 170, 607, repr. p. 126, 127, 129, 488-492, 546, 587, 588 |
| Alberto Sartoris, Gli elementi dell' Architettura funzionale, Milano 1931, repr. p. 369-375 |
| F.R. Yerbury, Modern Dutch buildings, London, 1931, repr. LXIII-LXVIII |
| Moderne Bouwkunst in Nederland, No. 3: De volkswoning, laagbouw, 1932, repr. 36-41, 44-46 |
| Moderne Bouwkunst in Nederland, No. 15: Kerken, 1932, repr. 31, p. 51. |
| Moderne Bouwkunst in Nederland, No. 8: Binnenhuisarchitectuur, 1934, repr. 33-37 |
| Moderne Bouwkunst in Nederland, No. 2: De Volkswoning, hoogbouw, 1935, repr. 29-30, p. 38 |
| J.B. van Loghem, Bouwen, Holland, Nieuwe Zakelijkheid, 1932, repr. p. 49, and p. 108-115 |
| G. Rietveld: Nieuwe Zakelijkheid in de Nederlandsche architectuur, Jrg. 9, 1932, Schrift 7 der vrije bladen |
| Henry Russell Hitchcock, Modern architec- |
[p. 284]
| ture, Intern. exhibition, New York, 10 Febr.-23 Mar. 1932, New York, Museum of Modern Art, 1932 |
| Henry Russell Hitchcock and Philip Johnson, The International Style; architecture since 1922, New York 1932, p. 27, 28, 29-31, 33, repr. p. 195-203 |
| Thieme-Becker, Kunstlerlexicon, Vol. XXVI, 1932 |
| Brockhaus' Konversationslexicon, Vol. XIV, 1933 |
| Raymond McGrath, Twentieth Century Houses, London 1934, p. 15, 16, 21, 41, 64, 83, 137-138, 153, 154, 185, repr. 60, 61, 75 |
| Thomas Sharp, English Panorama, London 1936, repr. 53 |
| G. Gustave Agate, Building in Lancashire, Preston 1937, p. 36 |
| J.P. Mieras a.o. Hedendaagse architectuur in Nederland, Amsterdam 1937, repr. p. 132, 133 |
| Winkler Prins, Alg. Encyclopaedie, 5th ed. Vol. 13, 1937, p. 239 |
| Nieuw Amsterdam 1937, Edition Direction ‘Holland-Amerika Lijn’ (repr. Tourist class Lounge) |
| Lewis Mumford, The culture of cities, New York 1938, p. 140, 416, 417 |
| J.J. Vriend, Bouwkunst van ons land, Amsterdam 1938, p. 170, 179, 189, 191 |
| Building in Cheshire, Chester 1939, p. 59 |
| T.M. Richards, An introduction to modern architecture, Hammersmith 1940 p. 68, 73 |
| J.G. Wattjes and W.Th.H. ten Bosch, Rotterdam en hoe het bouwde, Leiden 1940, p. 74, 75, 79, 80, repr. 76-80 |
| Built in U.S.A (1932-1944), The Museum of Modern Art, New York 1944, p. 10 |
| J. Ford and Cath. Morrow Ford, The modern house in America, New York 1946, p. 14 |
| Jaarboek der Nederlandse Kunst, Leiden 1947, p. 12 |
| S. Giedion, Space, Time and Architecture, the growth of a new tradition, Cambridge 1947, The Harvard University Press, p. 237, 289, 348, 426, 517, 525 (note) |
| E. Mack and T.M. Richards, Modern Architecture, New York 1947 p. 66, 82, 83, 88, repr. 18 |
| 50 jaar Bouwen, Edition Bouw Sept. 1948 |
| S. Giedion, Mechanisation takes command. A contribution to anonymous history, New York 1948, Oxford University Press, 485, 493, 523-524, 526, 527, 624, repr. 341, 342 |
| Henry Russell Hitchcock, Painting towards architecture, New York 1948, p. 32, 33, 24, 46, and cover |
| World Biography, Vol. II, 1948, p. 3602 |
| Oliver Hill, Fair Horizon Buildings of today, London 1950, p. 14, 27, 29, repr. p. 29 |
| Edgar Kaufmann, What is modern design? New York 1950, The Museum of modern Art, p. 10 |
| M. Raynal, a.o., De Picasso au Surréalisme, Genève-Paris 1950, p. 106, 116 |
| Algemene Kunstgeschiedenis, Vol. V, 1950, p. 412, 413, 415, 417, repr. 72 |
| Adolf Behne, Holländische Architektur der Gegenwart, Berlin, repr. p. 18-23 |
| W.C. Behrendt, Modern building, Its nature, problems and forms, London, repr. p. 137, 147, 149, 152-154, 2 repr. opposite p. 195, and cover |
| Fritz Block, Probleme des Bauens, Potsdam, repr. 47, 48, 103-106, 222, 223, 232, 233 |
| Marcel Chappey, Architecture internationale, Paris, repr. 63, 75-80 |
| Theo van Doesburg, Klassiek, barok, modern, Antwerp undated |
| A.M.J. Sevenhuysen, Nieuwe Bouwkunst in Nederland, repr. p. 52, 53 undated |
| Lawrence A, Graf, Dissertation, 1926 |
| J.J.P. Oud, Catalogue Mus. Boymans, Rotterdam. Feb. 1951 |
Articles:
| Technische Studenten Tijdschrift, 2nd vol., No. 8, 1 Febr. 1912, p. 228 (Woonhuis te Purmerend) |
| Bouwfragmenten, No. 8, Sept. 1915 (Woonhuis te Aalsmeer) |
| Panorama, No. 48, 30 May 1917, p. 4 |
| Theo van Doesburg, De architect J.J.P. Oud ‘voorganger’ der ‘kubisten’ in de bouwkunst? Bouwwereld, 1922, p. 229 |
| L'Architecture vivante, 1924, Spring, repr. p. 18-19, Summer, p. 30-31, repr. p. 31, 34-37 |
| Jean Badovici, Entretiens sur l'architecture L'Architecture vivante, Summer 1924 |
| Huis Allegonda te Katwijk, J.J.P. Oud en M. Kamerlingh Onnes, L'Architecture vivante, Winter 1924, repr. p. 43-44 |
| Oud Mathenesse, Dagblad van Rotterdam, 28 Jun. 1924, No. 148 |
| P. Meyer, A lecture by J.J.P. Oud in Zürich, Schweizerische Bauzeitung, Bd. 83, No. 12, p. 22 Mar. 1924, p. 134-137 |
[p. 285]
| Takoa Okada, Sutemi Houguchi, a.o. J.J.P. Oud, Sikentiku, Special Number, 1924 |
| Ludwig Hilbersheimer, J.J.P. Oud, Stavba, 3rd year, No. 5, 1924, p. 95-96 |
| L'Amour de l'art, 6th annual, No. 8, Aug. 1925, p. 320. 321 |
| Jean Badovici, Entretiens sur l'architecture vivante, L' urbanisme en Hollande. (Tusschendijken, Oud Mathenesse, Spangen), L'Architecture vivante, Spring & Summer, 1925, repr. p. 12, 13, 14, 1-15 |
| Theo van Doesburg, L'Evolution de l'architecture moderne en Hollande, L'Architecture vivante, Autumn 1925, p. 20, repr. 10, 20, 24, 25 |
| H. Sörgel, Reisebericht über neue holländische Baukunst; Holländische Charakterköpfe, Baukunst, 1, No. 5, 1925, May, p. 85-90, 102-103, repr. p. 93, 95-97 |
| A. Behne, Blick über die Grenze, Bausteine, No. 2-3, 1925, repr. p. 3, 37 |
| Bouwen, 20 Jun. 1925, p. 103: 21 Febr. 1926, p. 161-164 |
| Gemeentelijke Volkswoningbouw, Rotterdam, Klei, Ser. 17, No. 5, 1 Mar. 1925, p. 65-68, 70 |
| A. Behne, Zwei Holländische Architekten (Mart Stam u. J.J.P. Oud), Bauwelt, No. 20, 20 May 1926, p. 13 |
| Die Form, Ser. 1, No. 4, Jan. 1926, p. 79-80 |
| Groß-Deutsche Hotel-Rundschau, No. 23, 16 Oct. 1926, p. 243-244 |
| A. Stoffels, Das Kaffeehaus ‘De Unie’ von Architekt J.J.P. Oud, Oesterr. Bau- und Werkkunst, 2 Ser. No. 10, Jul. 1926, p. 329 |
| H. Meyer, Die neue Welt, Das Werk, Jul. 1926, p. 206, 207, repr. p. 206, 209 |
| P. Meller, Holland und die neue Architektur, Die Wohnung der Neuzeit, 9, No. 3, 1926, p. 9-10 |
| i 10, 1st annual, No. 1, 1927, p. 281-284 |
| L'Architecture, Vol. XL, No. 7, 15 Jul. 1927, p. 214 |
| Anatole France, L'Esprit nouveau en architecture, L'Architecture Vivante, 5th annual, No. 16, repr. 46 |
| L. Adler, Neue Arbeiten von J.J.P. Oud, Rotterdam, Wasmuth's Monatshefte für Baukunst, 11 ser., Vol. 1, 1927, p. 32-38 |
| A. Klein, Neue Arbeiten von J.J.P. Oud, Wasmuth's Monatshefte für Baukunst. 11 Ser. No. 7, 1927, p. 294-298. Same Article in: i 10, 1927, p. 169) |
| Erna Meyer, Wohnungsbau und Hausführung, Der Baumeister, Ser. 25, No. 6, Jun. 1927, p. 89-94 |
| Ein neuer Wohnungsbau, Der Baumeister, Ser. 25, No. 11, Nov. 1927, p. 297-301 |
| Bouwkundig Weekblad, Vol. 48, No. 43, 22 Oct. 1927 |
| Weissenhofsiedlung, Special number of L'Architecte, Nouvelle Serie, 3rd annual, Mar. 1928, repr. 23, pl. 18 |
| J. Badovici, A Propos de Stuttgart; A Francfort, L'Architecture vivante, 5th, annual, No. 19, 1928, p. 26-30, pl. 18-22; No. 21, 1928, repr. p. 7, 18-20, pl. 16, 22-25 |
| Henry Russell Hitchcock, The Architectural Work of J.J.P. Oud, The Arts, Vol. 13, No. 2, Feb. 1928, p. 97-103 |
| Weissenhofsiedlung, Stuttgart, Der Baumeister, Ser. 26, No. 2, Feb. 1928, p. 64-65, repr. p. 52, 71 |
| Die Bauschau, Ser. 3, No. 5, Mar. 1928, p. 5-9 |
| Holland helps landlord, who removes slums, Science Monitor, 29 Mar. 1928, p. 5 |
| Theo van Doesburg, Die moderne Architectur in Holland, Die Bauschau, Ser. 3, No. 21, Dec. 1928, p. 10. Also in: La Construction Moderne, 30 Dec. 1928 |
| Wohnhausgruppe in Hoek van Holland, Die Form, ser. 3, No. 2, 1928, p. 38-41 |
| W.C. Behrendt, Vom neuen Bauen, Das Kunstblatt, Ser. 26, No. 11, Aug. 1928, p. 424-425 |
| J. Polasek, De Kiefhoek, Stavitel, No. 7-8, 1928, p. 106 (Czechoslovakia) |
| Huizen te Hoek van Holland, Tér és Forma, No. 2, Jun. 1928, p. 48 (Hungary) |
| Huizen te Hoek van Holland, M.S.A. Ser. 1. 1929, p. 106 (Czechoslovakia) |
| H.J. Zwiers, De Beurs van J.J.P. Oud en J.F. Staal, (Ontwerp) Algemeen Handelsblad, 21 Jan. 1929 |
| Bouwkundig Weekblad, Vol. 50, No. 2, 12 Jan. 1929; No. 4, 26 Jan. 1929; No. 5, 2 Feb. 1929 |
| Albert Otten, Rotterdamse Problemen, Bouwkundig Weekblad, Vol. 50, No. 21, 25 May, 1929 |
| Ontwerp Beurs, Motto X, J.J.P. Oud, Bouwkundig Weekblad, Vol. 50, No. 22, 1 Jun. 1929, p. 172 |
| Piet Zwart, (Verdediging Ontwerp Beurs), Het Vaderland, 3 Feb. 1929 |
| M. Osborn, De Duitsche Bouwkunst van heden, Algemeen Handelsblad, 19 Apr. 1930 |
| A. Otten, De Kiefhoek; A. van der Steur, |
[p. 286]
| Over den architect en het experiment, n.a.v. De Kiefhoek, Bouwkundig Weekblad, 1930 No. 45, p. 369; No. 46, p. 379; No. 46, p. 381 (reply to the article of Otten, by W.C. Brouwer) |
| W. Jos de Gruyter, Kanttekeningen over techniek en kunst, Elsevier's Maandschrift, Vol. 40, No. 9, Sept. 1930, p. 145 |
| J.B. van Loghem, Nederlandsche Bouwmeesters, ‘de Kiefhoek’, J.J.P. Oud, De Groene Amsterdammer, 5 Apr. 1930, p. 8-9 |
| ‘De Kiefhoek’ te Rotterdam van J.J.P. Oud, De Kunst der Nederlanden, 1930-1931, p. 36, 318 |
| Victor E. van Vriesland, Onvakkundige zakelijkheid, Nieuwe Rotterdamsche Courant, 14 Mar. 1930 |
| The Architectural Record (U.S.A.), Jun. 1931, p. 506-507, repr. p. 495-496 |
| De Kiefhoek, Architettura e Arti Decorative, Jan.-Feb. 1931, p. 198-199 |
| De Kiefhoek, Bauwelt Ser. 22, No. 11, 12, Mar. p. 11 |
| E. Malespine, L'Urbanisme nouveau, L'Effort 1931, p. 34, repr. p. 74, 75 |
| W. Jos de Gruyter, Moderne Nederlandsche Bouwkunst en J.J.P. Oud, Elsevier's Maandschrift, Vol. 41, No. 1, 1931, p. 10, 169, repr. p. 169, pl. XXXIII-XL |
| Kiefhoek-Witte Dorp; Het Witte Dorp, Klei, 1931, p. 125; p. 137 |
| Holland baut, Die neue Linie, May 1931, p. 20 |
| The £ 213 House (De Kiefhoek), The Studio, No. 456, Mar. 1931, p. 175-179 |
| Villenviertel? Arbeitersiedlung, Neue Preussische Kreuzzeitung, 23 Oct. 1931 |
| Ontwerp Huis in Pinehurst U.S.A.; Interieurs van Huis Allegonda, De 8 en Opbouw, Vol. 3, 1932, No. 23, 10 Nov.; No. 24, 25 Nov. |
| Over Oud, Het Bouwbedrijf, Vol. 9, No. 25, 2 Dec. 1932, p. 316; No. 26, 14 Dec. 1932, p. 333 |
| S. van Ravesteyn, Architectuur, J.J.P. Oud, Gemeenschap, 1932, p. 84 |
| J. Mensil, J.J.P. Oud, Monde, 5th annual, No. 210, 11 Jun. 1932, p. 5 |
| E. Torry, Dutch colour schemas, Paint, Vol. 4, p. 13 |
| Ch. Pétrasch, L'Effort des Constructeurs Hollandais, Bâtir, No. 11, 15 Oct. 1933, p. 401-403 |
| Em. Henvaux, L'architecture vivante en Hollande, La Cité, IIth Annual. No. 31, Feb. 1934, p. 103-104 |
| W. van Gelderen, De Opbouwtentoonstelling, Rotterdam, De 8 en Opbouw, Vol. 5, No. 12, Jun. 1934, p. 103-104 |
| Stoelen, De 8 en Opbouw, Vol. 5, p. 9 |
| M.J. Brusse, Onder de mensen. Bij ons in Hillegersberg, Nieuwe Rotterdamsche Courant, 13, 20, 24, 27 Jan. 1934 |
| K.L. Symons, Weissenhofsiedlung, De 8 en Opbouw, Vol. 6, No. 3, 2 Feb. 1935, p. 32 |
| J. de Meijer, Vakverrotting (J.J.P. Oud en G. Rietveld), Bouwkundig Weekblad, No. 44, 2 Nov. 1935, p. 463 |
| Stavba (Czechoslovakia), Vol. 13, No. 1, 1935, p. 7, 9 |